Feminist fairytales for young and old. Await no princes to save you through their lips touching yours whilst you are in unwilling slumber. Wake each other up instead. Step into this world of empowering re-imagined fairytales where the stereotypes of obliging lovers, violent men and girls that need rescuing are transformed into brave princesses, blurred lines between heroes and villains, and a courageous Gretel who can bring down monsters on her own. ... |
|
|
Illustrated by Mike Lacey and Martin Sanders. ... "The sword moved again, and the light from the sun flashed on the bright metal. Soon, all that Bathsheba could see was a bright light flashing around her. Troy had never practised better than this. "Your hair is a little untidy, Miss Everdene," he said. "I'll make it tidy for you." The sword went past her ear with a whispering sound. A small piece of her hair fell to the ground. She watched him pick up the lock of hair and put it in his pocket. "I'll keep this forever," he said. He came closer to her. "I must leave you now.& ... |
|
|
The unfading popularity of Gustav Klimt (1862 - 1918) attests not only to the particular appeal of his luxuriant painting but also to the universal themes with which he worked: love, feminine beauty, aging, and death. The son of a goldsmith, Klimt created surfaces of ornate and jewel-like luminosity which show influence of both Egyptian and Japanese art. Through paintings, murals, and friezes, his work is defined by radiant color, fluid lines, floral elements, and mosaic-like patterning. With a number of subjects dealing with sensuality and desire as well as anxiety and despair, all this iridescence is also suffused ... |
|
|
Mirror, mirror on the wall... Who's the deadliest of them all? Once upon a time, a girl named Sophie rode into the forest with the queen's huntsman. Her lips were the colour of ripe cherries, her skin as soft as new-fallen snow, her hair as dark as midnight. When they stopped to rest, the huntsman pulled out his knife... and took Sophie's heart. It shouldn't have come as a surprise. Sophie had heard the rumors. They said she was too kind and foolish to rule - a disaster of a future queen. And Sophie believed them. She believed everything she'd heard about herself, the poisonous words people use to ... |
|
|
"There he lay looking as if youth had been half-renewed, for the white hair and moustache were changed to dark iron-grey, the cheeks were fuller, and the white skin seemed ruby-red underneath; the mouth was redder than ever, for on the lips were gouts of fresh blood, which trickled from the corners of the mouth and ran over the chin and neck. Even the deep, burning eyes seemed set amongst the swollen flesh, for the lids and pouches underneath were bloated. It seemed as if the whole awful creature were simply gorged with blood; he lay like a filthy leech, exhausted with his repletion." Thus Bram Stoker , one of ... |
|
|
"To Reuturn to Your Father's House" contains poems by Dimcho Debelyanov , selected and translated by Christopher Buxton . Christopher Buxton is a novelist and translator of Bulgarian literary texts into English. From 1977 onwards he has been an active advocate for Bulgarian culture in the United Kingdom. This work was recognised in 2015 by an award and medal from The Bulgarian Ministry of Culture. Dimcho Debelyanov, whose life was ended by a British sniper's bullet on the Doiran Front in 1916, deserves a place alongside fellow poets Wilfred Owen and Isaac Rosenberg. ... |
|
|
Райнер Цителман проучва десетте най-разпространени обвинения срещу капитализма - води до глад и бедност, до задълбочаващо се неравенство, до излишно потребителство, до разрушаване на околната среда, до климатични промени, до войни... Капитализмът, твърдят неговите критици, поставя печалбите над човечеството, създава доминиращи монополи, подкопава демокрацията. Цителман разглежда подробно всяко от тези обвинения и разкрива значимите грешки в него. Предлага контратези, като ги обосновава с изобилни исторически свидетелства и неопровержими факти, доказващи, че не капитализмът се е провалил: провалили са се ... |
